House of the Dragon
Warning: Full spoilers ahead for “House of the Dragon” Season 3, Episode 4. If you haven’t watched it yet, go do that, then come back and let’s talk about how a guy in a tent just out-villains an entire war.
After three episodes that felt like HBO lit the show on fire and threw it at us the Battle of the Gullet, Rhaenyra finally taking the Iron Throne, a genuinely bold “Rhaenyra Triumphant” Episode 4 slows things down. Way down. It’s the “let’s check in with everybody” episode. But buried in all that table-setting is one of the coldest character reveals the show has pulled off yet. Let’s get into it.
Welcome to Tumbleton, Population: Deeply Uncomfortable
We open on Tumbleton, the market town now occupied by the Hightower army after Ormund Hightower (James Norton) rolled in and set up shop. The soldiers are bunking three to a house with the locals, which is exactly as cozy as it sounds meaning: not at all. One resident, Kat, happens to be married to Hugh Hammer, one of Rhaenyra’s dragonseeds, which means she’s stuck living with an occupying army while her husband is off riding dragons for the other side. One of the soldiers billeted with her, a genuinely nasty piece of work named Garrick, makes the situation even worse. Westeros, folks: still not big on tenant’s rights.
Meet Daeron, the Targaryen Nobody Was Talking About
Here’s the big swing of the episode. Remember that quiet, red-headed squire who’s been hanging around Ormund’s camp since the season started, just sort of… existing in the background? Surprise, that’s Daeron Targaryen, the youngest son of Alicent, brother to Aegon, Aemond, and Helaena, and this is the part that matters to the rider of the dragon Tessarion.
Ormund has spent the season quietly raising this kid to be his personal weapon. Turns out Ormund is a devout Faith of the Seven guy who thinks the Targaryens are dragon-riding heretics, and his master plan involves turning Daeron against his own family so he can eventually claim the throne as a “purified” version of House Targaryen. It’s basically the fantasy equivalent of a corporate takeover disguised as mentorship.
To seal the deal, Ormund forces Daeron to execute a Tumbleton civilian he’d previously and pointedly spared. Daeron does it, following some pretty half-hearted protests, and then just stands there in horror as Tessarion swoops in to cook the body. Ormund’s line as this all wraps up? “And now we begin.” Reader, the chill.
Credit where due: Benjamin Evan Ainsworth is doing quietly devastating work as Daeron, playing a kid who’s been raised by a manipulator to believe cruelty is discipline. It’s the strongest material in the episode by a wide margin.
Meanwhile, Back at Rook’s Rest: A Very Grim Field Trip
Aegon (Tom Glynn-Carney) and Larys Strong (Matthew Needham), still on the run, make a detour to the battle site at Rook’s Rest the place where Aegon’s dragon Sunfyre fell. What they find is bleak even by this show’s standards: scavengers have turned Sunfyre’s corpse into a literal tourist attraction, run by a local gang leader who is exactly as pleasant as “guy who monetizes dead dragons” sounds. Aegon, grieving and in denial, insists Sunfyre is still alive somewhere and pockets one of the dragon’s scales like a very morbid souvenir.
King’s Landing: The Small Council Gets a Little Smaller (and Weirder)
Back at the Red Keep, Rhaenyra finally puts together something resembling a small council. Grand Maester Orwyle keeps his seat after a rocky stretch of being on the outs, and Mysaria steps into the role of Mistress of Whisperers, a promotion that tracks, given she spent last episode buying goodwill by feeding the city’s smallfolk. When Orwyle floats the idea of retaking Tumbleton with the riverlord army instead of torching it with dragonfire, it’s both the more merciful option and, conveniently, his ticket back into Rhaenyra’s good graces.
We also get a rare quiet moment between Rhaenyra and Daemon, plus a brief but overdue father-daughter beat between Daemon and Rhaena the kind of scene the show usually rushes past, and this time barely lingers on either.
Is Episode 4 Actually Good, Though?
Here’s where critics are split. Several reviewers have pointed out that this episode is, structurally, the least faithful to George R.R. Martin’s source material in the show’s entire run practically nothing here is pulled directly from the book. Some of those changes land beautifully (Daeron’s arc, Ormund’s chilling patience). Others feel like padding after three genuinely electric episodes. If Episodes 1 through 3 were a sprint, Episode 4 is Westeros stopping to catch its breath, check its map, and argue about troop movements for a while.
It’s not a bad hour of television. It’s just a noticeably quieter one, and after the show’s strongest opening stretch in years, “quieter” was always going to read as a letdown to somebody.
The Big Takeaways
- Daeron is the real wildcard now. A trained, dragon-riding Targaryen loyal to a fanatic who wants to burn down his own family’s legacy is about as dangerous a piece as this board has right now.
- Ormund Hightower might be the scariest antagonist the show has introduced. Not because he’s loud because he’s patient, and patient villains in this universe tend to win rounds.
- Rhaenyra is building an actual government, which sounds boring until you remember that a functioning small council might be the only thing standing between her and losing the throne she just barely won.
- Aegon and Larys are still out there, grieving dragons and pocketing scales, presumably wandering toward whatever chaos awaits in episode 5.
Final Verdict
Episode 4 won’t go down as a season highlight, but it’s doing something sneakier than pure spectacle: it’s loading the gun for the back half of the season. Ormund’s slow-burn manipulation of Daeron is the kind of quiet, patient menace that tends to pay off in devastating ways once dragons actually get involved again, and Rhaenyra’s small council troubles suggest holding the Iron Throne is going to be just as messy as taking it. So no, this wasn’t the banger episode fans got used to over the first three weeks but if “Now We Begin” is any indication of what Ormund has planned, the season’s second half might make this quiet stretch feel like the calm before a very large storm. We’ll see how the pieces move on episode 5.